FASHION GRADUATE ITALIA 2018: Accademia di Costume e Moda fashion show




From 26th to 29th October the post-industrial location of Base Milano was turned into the perfect set to spotlight the talent of young just graduated designers coming from some of the best Italian fashion schools partecipating to Fashion Graduate Italia 2018. Here the report of the Haute Couture collection by ACCADEMIA DI COSTUME E MODA.

In the Base Milano's hall, very crowded of aspiring designers, mass media and special guests, took place 4 days of fashion shows in a great event that involved 17 fashion schools part of the PSFM Piattaforma Sistema Formativo Moda

FASHION GRADUATE ITALIA  was an open window on the fashion educational system, thanks to which the public, mostly made by high-school students and aspiring designers, had the opportunity to give a closer sight to the graduate collections and live the exciting experience of a fashion show.



Accademia di Costume e Moda showcased the creations of the Haute Couture Master students

ACCADEMIA DI COSTUME E MODA

ACCADEMIA DI COSTUME E MODA was able to surprise the public present at Base Milano for the incredible skills of its student of the Haute Couture Master and for the sense of "grandeur" expressed by their creations, which deserved applauses and a standing ovation at the end of the graduate show.

Riccardo Occhilupo presented a collection rich of reminescences, dominated by the powerful image of a flowing giant cape jacket or by the hyper-padded coat in precious and warm autumnal color, just refreshed by leaves ramage recalling ancient pottery patterns and damasks.

Riccardo Occhilupo

Sadaf Samar Khan builds shapes through voluminous and hard-stiffed flounces which create collars, asymmetrical stoles and play in a game of contrast between hard and soft using a sophisticated and tone on tone color palette of neutrals and beige.

Sadafa Samar Khan


The graduate collection of Viktorija Satkunskyte started with the delicate nuances of northern skies, like watercolour brushstrokes on silk fabrics, to go then towards the darker shades of the night with sheer organza and transparencies for the evening wear.
Viktorija Satkunskyte

The slight and apparently fragile structures of lace and tulle by Roberto Virgillito surround the model's bodies as if they had a life of their own, as masks and headpieces which recall in a more delicate way the greatness of Alexander McQueen of his certain period.
Roberto Virgillito

Greek goddess, warrior or 700s princess, the girl imagined by Ekaterina Taranenko loves to underline her femininity through sensual corsets, soft drapes, romatic small ruffles and sorbet colors mixed to the candor of white crinoline skirts.
Ekaterina Taranenko

Despite the title, there's nothing "Wrong" in the creations by Tommaso Fux, who on the contrary was able to create a perfectly balanced collection, made strong by the clever and unexpected combination of bright colors and neutrals, like for the beautiful duo of blue or red and beige on details and accessories.
Tommaso Fux

The dresses of Marta Roldan Rebes are clouds of silks, have the cool tones of the Venetian lagoon exquisitely imprisoned into precious and sparkling embroideries made tone on tone to emphasize the frivolous delicacy of Rococò reminescences.
Marta Roldan Rebes

Teal, ochre and mustard yellow, eggshell  nude and pink, some touch of magenta. This is the sophisticated and unusual palette chosen by Simona Milone to design a light collection in a very modern and just whispered luxurios way.

Simona Milone


With his lush tropical garden, halfway between the intricate pattern of Arts and Crafts movement and the intense chromatism of Fauves, Manuel Tonetti probably created the most beautiful and trendy prints seen in this event, demostrating of being ready for the big jump into fashion system.
Manuel Tonetti

Junpei Saito wanted to leave astonished the public, presenting magnificent gowns that seem coming from some epic historical movie, with heroins like Scarlett O'Hara or the brave woman of the 19th century, wearing the Victorian mourning dresses with all the courage that only women can have, in an hymn to a not usual feminism.
Junperi Sato


0 commenti